Clients employ landscape designers to provide them with a landscape plan that leads to the construction of a special garden. 
It is often difficult for designers to constantly generate new ideas. It is easy to fall into the trap of simply reproducing ideas implemented in other designs. A technique that we find useful to overcome this straight jacket approach is to adopt a standard way of developing a design. We first establish with the client the style(s) of garden they warm to and think might work for them. That is most easily done by showing a portfolio of past work. We arrange a meeting on site and take with us an A1 size album containing shots of gardens that we have constructed (and some designs by others) and flip those through with the client. Once the style is established, it is time to lay out the ‘bones’ of the design – the hard elements in the available outdoor space. This is where it can get difficult to find inspiration.
The strategy we employ is to find some element in the building and reflect it in the design. Here, the curving wall of a dining room in a modern house has been reflected in the positioning of ‘chunky’ poles supporting the Wisteria arbor and the curved edge of the paving.
To accentuate the curve even more, the paving edge has been planted with dwarf Mono grass which further accentuates this design element. Massed planting of Dietes spp fills the rear of the space. This is a very small garden and we used horizontal boards and mirrors to create the illusion of space.
The next image shows a different site. Here the front garden of a house is in an early stage of construction. The main feature of the front of the house is a complex shallow curve. These curves have been picked up in the letterbox and newly constructed raised garden beds. This ties the design together.
Note the restricted palette of materials in use. Rendered walls and thin ornamental sheet iron glued to the tallest feature wall that is allowed to weather to a rust colour. The same material is used on the letterbox as on the wall.
You may be able see more clearly from the layout of the footings (that will contain raised garden beds and ornamental steel work) that the rather shallow complex arc of the front of the building has been reflected in the garden plan.
These footings are substantial as they will support a wall some 2 meters high that will create a private outdoor space.
Of course curves are not found in buildings on every site. Inspiration can be gained from many features and the link need not be as obvious as in the examples above. For example, the building may have an interesting long narrow window or facade feature. The proportions from any such feature you pick up, can be used in laying out the design. A subtle trick is to lay out the design on a grid matching (say) the width and height of that ‘special’ window. If the site is large, use a larger grid with the same proportions as the design moves further away from the building.
Adopting the approach outlined here ensures that every design is unique and that the design integrates building into the landscape.